INTRODUCTION
|
|
"Bill James is a veteran of three mediums, an insightful observer of humanity who tells an intimate story with masterful strokes of color".
Rachel Wolf - editor of North Light Books.
"Because James' craft (superior in not one but three media) is so confident, he can create compositions that seem discovered rather than planned. His work is serious as it is beautiful".
Maureen Bloomfield - editor of The Artist's Magazine
"Bill's work is spontaneous but accurate".
Steve Doherty - editor of American Artist Magazine
When painting, my objective is to tell a story and, at the same time, conjure up some emotion from the viewer of my art. This can be done in several ways. With my figurative work, it could be an expression on the subjects face, a situation the figure is in, or a costume that the subject is wearing. Along with this, I will exaggerate the mood by the use of color. With landscapes, I try to get more of an intellectual response from people who view my paintings. This can be achieved by creating a unique design pattern and color scheme. By using certain colors, an emotion can be expressed. To accomplish all this, I work with three different media - pastel, oil, and watercolor.
I attended Syracuse University for four years and graduated with a Bachelor of Fine Arts degree. For the first part of my career, I worked as an illustrator. Working with so many styles, I created the unique painting techniques I use today. When working with pastel, oil, and watercolor as an illustrator, I developed a love of painting figures and telling stories by the use of expressing emotion. During that time, I constantly worked on my own paintings consisting of figurative works as well as landscapes.
Currently, I have four artist`s titles behind my name. I am a signature member of the Pastel Society of America (which has awarded me with the title of Master-Pastelist), the American Watercolor Society, the National Watercolor Society, and the Knickerbocker Artists (an exclusive art society of only master artists). I was asked to be a member of that society without showing a customary portfolio. Since 1947, that was done only one other time. Today, I work exclusively a fine artist.
|